That is the title of the exhibition with which the Ferragamo Museum desires for instance, with the home archive, the lengthy inventive course of behind silk prints, particularly scarves, wherein creativity and high-end industrial craftsmanship are completely united.
The curator of the exhibition on the Palazzo Spini Feroni (Florence-Italy), Judith Clark, takes a tour wherein the best way wherein they’ve been developed has prevailed the totally different inspirations and concepts behind every drawing, in addition to the a number of collages of various references.
Ferragamo’s dream, when creating his firm, was to show his model into a global agency, in a vogue model that might costume ladies from head to toe. Beginning within the 1970s, that dream got here true due to considered one of his daughters, Fulvia, who started a steady manufacturing of silk equipment.
The silk turned a mark of distinction for the Italian agency, not just for the delicacy of the dye however for the theme of its prints impressed by nature and unique animals, landscapes, jungles and savannas.
However these references weren’t the one ones that had been mirrored within the prints on their silks: from oriental artwork to 20th century work or from artworks preserved in lots of museums to historic ones. volumes of botany and pure sciences that may be consulted within the rooms of many libraries, had been a part of his inventive creativeness.
An immense quantity of fabric, which was later compiled into greater than a thousand volumes that at the moment are preserved within the Archives Salvatore Ferragamo.
The Salvatore Ferragamo Museum goals with its exhibitions to advertise dialogue between artwork and vogue additionally involving modern artists.
The exhibition begins with a particular set up by two Chinese language artists, Solar Yuan and Peng Yu, titled Have been creatures born celestial? (Have been Heavenly Creatures Born?), Which conceptually exemplifies how the Silk Street has lengthy been a fertile floor for conferences and exchanges between East and west.
The exhibition is offered at digital tour each in Italian and English, a manner of constructing it accessible and breaking down the obstacles of the face-to-face go to.
[Más información: Ferragamo, Prada y Etro llenan la pasarela de Milán de volumen, color y aires ‘vintage’]